My tentacles stretch far and wide throughout the Internet and my contacts are really good to me. Richard Sheaf alerted me to some look-a-like art that I may be interested in. Off I went to
Justyce Served: A Small Start with a Big Finish
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Tim Keable's 'Justyce Served' |
It looked so much like Bellamy I had to ask the artist about it. Sure enough it turns out
Tim Keable's influences certainly include Bellamy. But I also felt that this looked like something I'd seen by
Kelly Freas, the famous American SF artist. Why did I think this?
I'd seen the above many years ago and thought although obviously not Bellamy it had an aspect of his work and this helped me to think about FB's work in better terms.Look at the square thumb, the hairy arm, the impressionistic 'slashes' of lines and the shadowy implied figure, oh, and there's a naked woman.
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Frank Bellamy: Radio Times17 June - 23 June 1972, p.12 |
Compare the above to Tim's drawing and you see immediate inspiration. The above was drawn by Bellamy to accompany
The Quatermass experiment a programme about Peter Cushing, Christopher Lee and Hammer Horror films.
"The blob that won the Queen's Award" was the byeline under the picture - sorry for the awful photocopy.
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Frank Bellamy: Radio Times 11 - 17 May 1974, p.54 |
Another Bellamy extended arm, in this piece to accompany
The Movie Quiz Late horror show
"Can you escape the icy grip of the Movie Quiz late horror show: 11.12?"
After asking Tim about this, he kindly wrote back to me regarding this work:
The brief was to do a Doctor Who illustration that couldn't have the
Tardis or Daleks or anything that might be deemed as copyright
material. That's why that box with the light on top might just be a rectangular
spaceship passing in front of a big star! As to my influences you're right. Frank's RT horror pix are among my
very favourite of his illustrations. Yes, Kelly Freas too. I did the art on white scraperboard which allowed me to scrape away highlights much as Kelly Freas did.I think Frank used this technique and surface for some of those early
magazine illustrations he did in the 1950s There's a pic of a lizard that
springs to mind [
Norman: see FB and Lilliput].I was also influenced by another Analog artist called called
George Schelling. If you Google him you'll see that he shares a similar approach to his
work that Frank had.
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Frank Bellamy: Radio Times 29 May - 4 June 1971 |
Frank Bellamy was extraordinary in so many ways. Firstly, as a comics
artist the number one priority is clarity of storytelling. Frank always achieved
this and then delivered a page that always had so much design going on there
too.Then there is the impeccable draughtsmanship. Second to none in my opinion.
He always knew when to apply the "less is more" principle and in most cases his
drawings are much simpler than they look.This applies to his colour work as well. Often he used a very limited
palette to achieve his desired result. Take the RT cover "Movie Crazy Years":
Mostly brown but with a touch of green in there with very little red, yellow or
blue to be seen. Add to this the speed at which he (and his contemporaries to be fair) had
to work. There are few around today who could deliver this quality of work
within the time frame. Often when I'm struggling I'll ask "How would Frank have got over this
problem?" and it always helps! Once again Norman I'd like to congratulate you on a wonderful site. Keep up
the good work! Kind wishes,Tim.
Thanks a lot for taking the time to answer my questions Tim and to allow me to add some new pictures to the blog.