Monday, 16 November 2020

Frank Bellamy Gerry Anderson annual covers

I wanted to add these three covers in one place and see if we can get any clarification even at this late stage as to the certainty of which are by Bellamy and which not.

If you don't know already comic annuals in the UK arrived in shops during the late summer of the year preceding the published title date. So Beano Book 1967 (which even as kids we knew was an annual!) would have been on sale late summer 1966 and I remember seeing them just in time for my birthday at the start of October.


The first Thunderbirds title here is copyright 1966 and if the date had been included in the title it would be Thunderbirds Annual 1967. I don't think there is any doubt this is completely Frank Bellamy - besides the logo, of course. I wish there was a signature but there isn't!

Thunderbirds Annual [1967]


Bellamy's last strip for the newly launched  TV21 & Joe 90 was #4 (18 October 1969) so it's interesting if Bellamy came to do this Thunderbirds Annual 1971 which was published in 1970. 

As David Jackson said to me about this cover: The 1971 copy of Frank Bellamy is a very good copy seen on its own terms, (the goodness is all originally Frank's) but compared with Frank's original there is the 'Chinese whispers' degrading with each iteration, and the opaque paint medium rules out it being Frank Bellamy himself.

Thunderbirds Annual 1971

I hunted and it didn't take long to find where this 'Bellamy' shot came from: TV21 #56

TV21 #56 with the final frame used on the Annual

 So getting my friend Paul Holder to lay the raw Thunderbird 2 at an angle, we get.....

A raw Bellamy frame added on top

Then Paul tidied it up and we see this....

If Bellamy HAD done the cover but note fin!


The picture frame seems to fit almost perfectly of shape onto the annual, except you’ll notice the fin which would go off the annual cover if they had used the exact original frame. The ‘Thunderbird 2’ lettering on the side is slightly bigger on the annual - the 2 is larger in proportion and the whole text takes up a longer space on the side. The no 2 underneath is much fatter on the annual. The "squiggly shadows" on the side windows are very similar - same style - but not same as the comic frame.
I would say that it was traced and amended slightly. The vapour trail is not pure white but looks as if white paint done on top of blue sky so not opaque. Bellamy would have not done it this way, Therefore this is not a Bellamy illustration but a copy/homage.
Also, I think it would be technically easier at that time to illustrate anew, rather than get new films made (if the artwork was available) to the size proportions required.

And David said:

What doesn't come across digitally but is obvious in print and in your hands is that this cover version Thunderbird 2 is literally that - although it's taken from FB's early T2 'look' in style and design, it looks to be rendered in opaque watercolour / gouache / poster paints.
Which is to say the whitish opaque drybrush overpaint engines jetstreams; the orange-down-to-yellow intake nacelle; the lightened greenish overpaint of the black underside around the area of the right edge red circle retro...  I don't need to go on...

Paul then pointed out to me that actually the image AND design were 'borrowed' from Bellamy


TV21 #63 with that circle + red background!

Our joint conclusion: a very clever editorial decision to use the Frank Bellamy frames from early TV21, four years after Bellamy drew it. Then use paint to amend the image slightly.


The colour cover with Fireball XL5 (awful representation!), Thunderbird 2, Stingray and a coloured left hand margin.The dispute exists as to whether Bellamy did any or some of the colour images on this cover (The left-hand marginal drawings are definitely by Rab Hamilton, who illustrated "Agent 21" strip in TV21 and "Marina" in Lady Penelope)

If I had to bet on this I'd say the Thunderbirds image is Bellamy's and maybe the Stingray. His method of doing skies (as described by his son, David, in Timeview:

Inks are a very difficult medium to work with particularly on CS10 line board which is not at all sympathetic as the inks tend to dry unevenly, yet he could wash in skies or flat areas of colour and give an almost air brushed effect. This was done so quickly with brushes, blotting paper, cotton wool and various other little tricks, it was like watching a magician, the quickness of the hand deceiving the eye. 

TV Century 21 Annual [1967]

My hesitation is around the Fireball XL5, which I can't believe he did as it's so ...bad! But David Jackson felt:

Is Fireball XL5 so much of a problem?  The title (non-Frank Bellamy) graphics are not helping by crushing rendering of the vehicles.  The original art continues left and around the spine and tucks over and around overlapping the top and bottom and right-hand edges but the title graphics leave no space (ho ho) for Fireball XL5.  It is possible that the original art may have been same size and this could also have been a factor working against a bigger finish.


Interestingly the lightning flashes appear a later addition as Bellamy would do these differently and am I right in thinking the water appears above the flash? Comments received point out that the lettering for Fireball, Thunderbird 2 and Stingray look to be added on. [As Shaqui and Jeff Haythorpe point out Bellamy drew the lettering on TB2 in black (having checked,  he did, but also just left it off completely sometimes!]. Paul Green says:

The artist responsible for the cover of Thunderbirds Annual 1971 has used Bellamy's artwork as reference material and adapted it using gouache paint. During my time working on annuals adapting another artist's work or being told to copy their style was common practice. As for the TV Century 21 art - the first cover is definitely Bellamy's original art. The later cover feels like someone copying different styles as they aren't consistent. An artist probably adapted Embleton's Stingray art and Bellamy's Thunderbirds art. The Fireball XL5 may be a crude adaptation of Mike Noble's art. This isn't Bellamy's original art. Once again the medium is gouache paint.
The last thing I thought of after publishing this was that the Thunderbirds Annual [1967] - which I have no doubt is Bellamy's work - and the TV Century 21 Annual [1967] are different sizes. Is this significant in any way?

What do YOU think? I'd love to hear your thoughts. I hunted through two years (Bellamy will have done several months of Thunderbirds by the time this was drawn) and found no similar panel to match the Thunderbird 2 image. What about the Fireball image? Is there corresponding reference?

Friday, 6 November 2020

ORIGINAL ART: A plethora from Comic Book Auctions - Thunderbirds, Life Study, Masai, Garth


Thunderbirds from TV21 #172 (page 2)

Compal, or if you prefer Comic Book Auctions Limited are offering some lovely Frank Bellamy original artwork in their November 2020 auction. and you can bid live on The Saleroom 

The first auction lot is the second page from the Thunderbirds story in TV21 #172. I see that Malcolm has mentioned the fading but interestingly, for a change, it's not the blue! Take a look at the horribly printed version below and I see greens missing, which Bellamy will have mixed with yellow and blue!  This page comes from the shortest Thunderbird story (3 episodes from #170-172)!

Printed version

This is the auction description:

Lot: 105   

Thunderbirds original artwork (1968) drawn, painted and signed by Frank Bellamy for TV21 No 172. A neutron cannon developed by Brains has crashed into the Thames. The crash has activated the firing mechanism and a neutron particle is aimlessly fired every ninety seconds destroying everything in its path... Pelikan inks on board with some fading to grey. 15 x 18 ins £1,200-1,500

Masai Warrior

The second lot is a gorgeous pastel. Bellamy did a few of these and they are so hard to appreciate unless seeing them out of their glass, being so difficult to photograph. BUT I have seen some of these photographed well, and love them. The auction description:

Lot: 106   

Maasai Warrior drawn and signed by Frank Bellamy (1960s)
Terracotta pastel on black cartridge paper. 23 x 20 ins £300-400

Life study (rear view)

And another 'life study' as I call them! 


Nude study drawn and signed by Frank Bellamy (mid 1960s)
During this time Frank Bellamy ran and organised life drawing classes at the Studio Club in London's Piccadilly Crayon on paper. 15 x 12 ins No Reserve

Then we get three sets of Garth strips which sell very well - especially as two of three lots are consecutive pairs of strips.


F251-F252: Garth: People of the Abyss
They show no markings or scribblings by Daily Mirror staff - which is unusual but I'm guessing they are mounted with a passe-partout or something similar.

Lot 116 description: 

Garth: 'The People of the Abyss'. 2 original consecutive artworks (1972) by Frank Bellamy for the Daily Mirror 24/25 Oct 1972 Indian ink on board. 21 x 7 ins (x2) £500-600  

The next lot is also from the same story, so if you are collecting the whole of this story, good luck! I don't know anyone who has a complete story of any Garth by Bellamy as they're scattered to the four winds!

F278: Garth: People of the Abyss
Notice, here we can see a sticker and some faint notations.

Lot 117 description:

Garth: 'The People of the Abyss' original artwork (1972) by Frank Bellamy for the Daily Mirror 24 Nov 1972 Indian ink on board. 21 x 7 ins £250-300
G41-G42 Garth: The Women of Galba

 The final Bellamy lot  is another pair of consecutive strips
 Lot 120  description:

Garth: 'The Women of Galba’ 2 original consecutive artworks (1973) by Frank Bellamy for the Daily Mirror 16/17 Feb 1973 Indian ink on board. 21 x 7 ins (x2) £500-600


WHERE?: Comic Book Auctions
STARTING BID (with reserve): £1,080.00
Auctioneer's estimate £1,200 - £1,500
END DATE: Sunday 22 November 2020

GARTH: F251-252 (People of the Abyss)
WHERE?: Comic Book Auctions
STARTING BID (reserve): £450 
Auctioneer's estimate £500 - £600
END DATE: Sunday 22 November 2020

GARTH: F278 (People of the Abyss)
WHERE?: Comic Book Auctions
STARTING BID (reserve): £230.00
Auctioneer's estimate £250 - £300
END DATE: Sunday 22 November 2020

GARTH: G41-42 (Women of Galba)
WHERE?: Comic Book Auctions
STARTING BID (reserve): £450.00
Auctioneer's estimate £500 - £600
END DATE: Sunday 22 November 2020

LIFE STUDY (Back view)
WHERE?: Comic Book Auctions
END DATE: Sunday 22 November 2020

WHERE?: Comic Book Auctions
STARTING BID (with reserve): £270.00
Auctioneer's estimate £300 - £400
END DATE: Sunday 22 November 2020