Frank Bellamy and The Sunday Times

Sunday Times17 August 1975

Richard Sheaf pointed out to me a comment by Terry Bave on Frank Bellamy. He saw it in the new book by Terry, which is published on Lulu.com. Who's Terry Bave you might ask? Well like many of the artists who worked for D.C. Thompson and Fleetway in my youth, their artwork was very familiar across many comics and characters, but their name was never known to me - one reason I liked Frank Bellamy, he signed his work and got away with it! Thank God for enthusiasts who uncover this stuff!

Lew Stringer wrote about Terry's exaggerated demise (he's still with us...check out his blog which hopefully will grow with many examples of his art!) and shows off some examples of Terry's gorgeous artwork. [Update: Unfortunately Terry passed away on 6th December 2018 aged 87, his blog is stiill there ~2022] Any search on the Web will garner enough examples too. (Try http://images.google.com and type in "Terry Bave"). George Shiers has reviewed the book here

"In August 1975 I was invited by The Sunday Times newspaper to assist with the preparation, followed by the final judging, of a super comic strip competition for children. The competition was divided into three age groups between five and fifteen years, with each group invited to complete a short comic The first frame had already been completed by a professional cartoonist. In the five to seven age group the first frame was drawn by John Ryan (of Captain Pugwash fame), in the eight to eleven age group I drew the first frame, for the twelve to fifteen age Frank Bellamy (who sadly died in July 1976), drew the first frame. At the outcome I had warned the organizers that there could be an enormous response from their young readers, would they be prepared? The weekend that the competition appeared thousands of children filled in the blank frames and sent them in, the editor's office was inundated"

Fortunately I have a photocopy of the item in question (see the top picture) from the Sunday Times (p.27 in the Weekly Review section) "Who will win our comic strip competition?"

The brief biography of Bellamy in this cutting has so many errors I shan't comment, but one would hope that the quotation is not incorrect. David Bellamy tells us in his book Time View: Complete "Doctor Who" Illustrations of Frank Bellamy that he used to sit with his father sometimes at night when he worked.

The single panel Bellamy drew shows "Captain Min headed for galactic planet Tosca when electric storms force him to dock on a worn out satellite" with Captain Min thinking "I get a creepy feeling we're not alone…" The monster looks very similar to others Bellamy drew in TV21 and for Doctor Who in the Radio Times

This frame was also reprinted in Fantasy Advertiser #57 (October 1975) as an advert for the New Cartoon Review

Fantasy Advertiser #57 p. 27

Thanks to Richard for prompting my blogging once again and David Jackson for reminding me about the reprint.

The last great invention

Last Great Invention - panel

In the 1960s publishing saw more and more magazines that were partworks published in numerous countries as co-editions to bring down costs. The format of a weekly partwork caught the public's imagination -but not often their mathematical skills - total costs of a partwork could far exceed any total price for the equivalent book, but it did allow families to buy weekly rather than lay out a lot of money up front! This was in the days before 'easy credit'. I remember my Mother loved 'The British Empire' with its glossy appearance and colour throughout. I preferred 'World of Wildlife' as it contained animals in their natural surroundings. You have to remember back then - no Internet and colour had only just come to UK TV and we had three terrestrial (what other sort were there?) channels! So colour glossy magazines - great!

Cover of Sunday Times
23 August 1970

Bellamy contributed to this in two places that I know of and the following relates to the more famous one: The Sunday Times (Colour) Magazine (23rd August 1970). "Last of the Great Inventions" was, as it says in the magazine "Drawn by Frank Bellamy and written by Tony Osman".

The Sunday Times was forging ahead in Britain in displaying innovative colour in a giveaway weekly newspaper magazine. It all started in 1962 when the owner Roy Thomson wanted a way to sell colour advertising at a time that newspapers could only print black and white (it was 20 years later that Eddie Shah shook up the newspaper industry with a colour paper) Its first editor Mark Boxer was joined a year later, by Michael Rand as Art Director.

"It was 12 months before it was voted a huge success – by the readers and advertisers (due to editors Mark Boxer, Godfrey Smith and its design guru Michael Rand). It was Smith’s idea to produce another innovation, the part-work series which could be collated, at the end, in a special binder: A Thousand Makers of the 20th Century remains a landmark" (Evans, H, 2008. I wish we could have done this in my day. Sunday Times [London, England] 6 July 2008: 9.)

Many artists and photographers praise Michael Rand as being an inspiration in allowing them to push the boundaries and Rand knew Bellamy's work well (confirmed in an email from Robert Lacey - yes I contact all sorts of important people!), but he is not credited in the series itself instead it appears Arnold Schwartzmann was the Consultant art Director on the project. .

Binder cover

First part

 Eureka!: The Sunday Times Magazine "A history of inventions in 10 parts" was published weekly between 21 June 1970 and 23 August 1970. The pages were not numbered but a note appears in each 'supplement' saying "To prepare for the Eureka binder cut out pages down centrefold" Bellamy produced only the last installment.

Last episode includes a competition

The commission was to show  the President of America being woken to be told that the ballistic Missile Early warning System had detected missiles approaching and the President's reaction and conversation with the USSR (This was Nixon and Brezhnev)

Bellamy draws Nixon again!

I personally found the whole piece awfully confusing. The script is not written by someone who knows comic strips and I suspect that (unlike earlier Sunday Times work) Osman was glad to be getting to the end of this piece. Mind you any quick search shows that Osman - who was elected to the committee of the Association of British Science Writers, has written many factual articles and books.

Anyone want to buy me an A3 scanner?

As an aside, to this already wordy blog post, my copy of the bound Eureka series also contains the Bruce Chatwin partwork "One million years of art". having read the excellent biography by Nicholas Shakespeare, I was not surprised to see no comic art in the partwork, let alone any Bellamy, after all Chatwin was an ex-Sotheby's man so 'art' means 'fine art', not illustration or comics!

Frank Bellamy - first past the post!

Martin Baines asked me to do a piece on the Bellamy Sunday Times work and a rare opportunity presented itself to make this even more interesting


After his long run on Thunderbirds, Frank Bellamy saw the writing on the wall for TV21 as he knew it - Alan Fennell the editor, was moving on and Bellamy decided to spread his wings and seek employment elsewhere. In March 1969 Bellamy was commissioned to produce a strip about an imaginary young artist called Blenkinsop. We are very fortunate that David Driver of the Radio Times (have you see the photo never before published in this issue of Eagle Times?) and the Sunday Times (Colour) Magazine wanted to send assignments his way.

After completing 6 assignments for the colour Sunday supplement to the prestigious Times, he was asked to create a double page spread for an article on horse racing. This was to be his final work for the Sunday Times magazine, but interestingly due to the generosity of Tim Barnes we are able to compare a rough (that presumably was rejected) with the published version.

Over the Summer of 1989 the Unseen Frank Bellamy Basement Gallery Exhibition took place and several people, (including our old friend Jeff Haythorpe) have written to tell us what they saw at the Gallery. Today we are looking at "Devious ways to win" or as it became when published "Inside Racing". Tim has sent me other scans/photos and I'd like to write about them in the future, so watch this space.

Complete double page spread

The Sunday Times (Colour) Magazine 25 April 1971

It looks as if this commission may have given Bellamy some trouble. Firstly notice that the header strip looks like a Bellamy trick which would allow the Art Editor to add the title "Inside Racing" easily, but he or she has chosen to not use that opportunity and has laid the title and text at the bottom of the art.

'Header or title strip'

But even more interestingly is the rejected idea for this piece. Compare the Bellamy logo title for example - it is so much more dynamic - perhaps too much for the magazine!

Rejected strip sold at Basement Gallery exhibition - Thanks Tim Barnes

One can also see that Bellamy's layouts had to changed and he had started laying some colour in the piece...

Single panel

Perhaps Bellamy mis-counted how many text boxes were needed? We can only guess, but what a fantastic opportunity to see an unfinished and rejected piece. Thank you Tim for sharing this - more pieces to follow.

I'd love to know more about the Magazine itself and the reason that Bellamy's commissions dried up in 1971. Obviously he was then drawing a national daily strip, Garth, but we know of other commissions he received during this time. Was there a change of editor who didn't approve of the prestigious Sunday Times having a comic strip? Bellamy always quoted the fact he had produced the first strip to appear in the Sunday Times, and was justifiably proud of this fact.

UPDATE: The original art came up for sale